detail of gears by Tom Longtin detail of painting by Judith Kniffin detail of baskets by Paula LaPorte vase by Arline Mayer, detail of jewelry by Ann Webster detail of necklace by Barbara Henry, scarf by Jane Glesne detail of wooden leaves by Joe Comi detail of pins by Marie DeVito detail of bench by Ray Mullineaux
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WEB EXHIBIT:

this special feature focuses on the artistic synergy between members of our Guild. 


detail of vessels by Jessica Phillips
detail of jewelry by Ann Webster
detail of jewelry by Ann Webster

SURFACE EXPLORATIONS
Guild members Ann Webster, who works in silver and polymer clay, and Jessica Phillips, a ceramic artist, both feature intricate surface treatments in their work.  This interview looks at the role of surface ornamentation in these two very different media
.

How did you start working in your respective media? 

Jessica Phillps: For me it started as a way to get out of the house after my daughter was born in 2000.  I took a Saturday class from a local potter. This turned into a full time obsession and led me to return to college. I completed my B.A. in Studio Art from UNC-Wilmington in 2006.

How do you create surface textures in your work?

Jessica Phillps: I create texture by carving into the ceramic surface. I usually use a colored slip to enhance the design, but sometimes I don't use the slip and just let the glaze bring out the texture. This technique came from a printmaking course. I loved the graphic look of the print and wanted to recreate it in 3D.

Does the surface relate to the form of a given piece?  If so, how?

Jessica Phillps: The shape of the ceramic form and the surface texture have to work together to create a harmonious design. As I am carving I have to keep in mind the curves of the vessel and how the design needs to be adapted to be accent this. My designs are botanical in nature and my shapes are organic.
 
Why is surface treatment important to you?

Jessica Phillps: The surface treatment creates another layer to the work. You have the shape of the vessel, the surface texture and the glaze, all three have to work together to create a successful piece

Do you have a favorite piece?

Jessica Phillps: I do, but it changes everytime I unload the kiln. Right now it is a carved lidded vessel with a lotus design carved on the base, body, and lid and took me four weeks to make.


How does seeing other Guild members’ work influence your own work?

Jessica Phillps: I am always influenced by what other guild members are doing. Seeing their work can spark an interest in an area and lead me to explore a new technique or design.


Please contact the artists directly to share a comment:

Jessica Phillips
Ann Webster



GALLERY EXHIBIT

September 2009: yellow

click here to view our August 2009 exhibit

WEB EXHIBIT ARCHIVES

August 2009: Recycling and the work of Joe Chirchirillo and Paula LaPorte


July 2009:
Mosaic Chest by Arline Mayer and
Cyndi Saint


June 2009: behind the scenes with our curatorial team


April 2009:
Yin Yang Water Chairs by Cyndi Saint and Paula LaPorte